Today, like so many of us, I drove my big kid to school: in Bram’s case to his final year of Montessori preschool. He was nervous and reluctant, and also curious. He ran out the front door and kicked rocks around the driveway for awhile. He wanted to listen to Cloud Cult’s “Transistor Radio” on the way. He sang along, like always. I said, “That journey his grandpa sends him on? That’s like your journey, Bug.” I watched him gathering his nerve in the rearview mirror. I listened to him slow his breathing.
I’m writing this from a table in the coffee shop where I wrote a lot of my dissertation. Where we came after we lost E. Where we brought B the first time we left the house with him. That was a lifetime ago: two lifetimes, literally, for my kids. Not long ones, but of course we’d do well not to measure life by length.
At four-and-a-half, Bram is a firestorm of passion, focus, curiosity, and brave imagination. He is self-conscious about his physical abilities: nervous on playgrounds and critical of how he runs and bikes, as if someone has told him he isn’t good at those things (though to my knowledge no one has). He holds back nothing on the creative front, and is steady in his confidence in himself as an artist. If he asks you to describe some recent experience, to remind him of a detail from an encounter, it’s so he can go home and draw it. He’s a storyteller: he tells tales silently, with colored pencils, for hours; with Legos in deep concentration; in a loud, dizzying voice as he spins around the house. He is a careful and kind brother, son, grandson, and friend. He holds his fingers up in the shape of a square to tell me he loves me. I think he’d make eye contact for hours.
When I told him that some people think we are all of the figures from our dreams – so he’s not just the little kid who’s scared; he’s also the beast chasing the little kid – a smile stretched across his face for whole minutes. When I asked him if he wanted to finish a drawing he had started earlier in the day, he said, “I don’t want to, mama, I need to. An artist needs to finish what he starts.” He told me on a walk to the library last week – out of the blue, at an intersection – that he wants to be a baker, a construction worker, and a priest when he grows up. This would surprise no one who knows him.
At two-and-a-half, Lou is a wild and beautiful creature. His will is fierce and seems to come from somewhere profoundly deep within him. He is built mostly of courage and curiosity, and he’s like a cat: capable of immense and startling acts of love and loyalty, but on his terms. Once while working together with Play-Doh, he said – without even looking up – “I miss you when you’re at work, mama. I love you too now.” We just kept working. He has a head full of blonde curls, lashes that go on forever, and the last vestiges of the skinny bird arms and legs he had at birth. We still call him Birdie, and it still fits.
He is maddened by any suggestion of passivity: he wants to push the stroller, cook the food, wash dishes together, turn all the pages, get himself dressed, put on his own shoes, and fasten his own seat belt: “not you, not you!” If you look away for a second, he’ll sneak off to the snack drawer and situate himself on one of the benches at our dining room table with an absurd number of pretzels or graham crackers. If you call him from another room, he’ll run to you full force, shouting “My am coming!!” He is rarely cautious, though he avoids deep water and new people, and he constantly asks me to drive more slowly. Like his brother, he loves teases and inside jokes, and his eyes light up when he’s in on something. His favorite song right now is Josh Ritter’s “Cumberland.” It is entirely possible to imagine him living happily in the country. If you pretend to forget song lyrics and sing them wrong, he’ll say, every time and with endless delight in his voice: “not like THAT! Like this!” and sing them the right way. He’ll repeat this as many times as you’re willing. If he’s sad and you offer him a diversion, he’ll often say, “Okay. That would cheer me up.” If you’re sad, he’ll offer you pretend strawberries until you smile. Strawberries, every time. His favorite game is the Run-Hug, which his Pomo invented. It is exactly like it sounds.
This is a picture Bram came home and drew after meeting a girl he found magical. She is seven, and a dancer. Those marks are the colors he’s decided are good for making skin tones. He is always working on craft. Those are her hands folded in front of her body. She’s Native American and was wearing traditional clothing: those are feathers, moccasins, and bells at the bottom of her dress.
This is classic Lou.
This is a drawing Bram did of our church awhile back. Every time he sees it (hanging in my office), he says quietly to himself: “I need to do a new one.”
These are tombstones the boys made when – as is his way – Lou killed a fly and – as is his way – Bram cried over its smashed body and made us bury it. Lou gave this task the cursory attention that he sensed his brother would require. Bram wrote this on his: “Dear God, did the fly have a good life? Was it sick or was it not? [Something illegible to me.] In your name we pray. Amen.”
And this is a typical market Saturday: Bram with his best friend, Clara, sure of their little world together; his brother following behind: ever curious about B & C’s activities, but also absolutely on his own quest.