five morning vignettes

Morning 1:

Bram calls from his room. “Mama!”
Me: “Yes, Bug?”
Bram: “Come here; I am lonely!”
Me: “Come to me, Baby. Your brother is asleep on my arm.”
Bram, after some silence: “Do you remember the tablets??”
Me: “Um, Moses’s tablets? Yes…”
Bram: “They say not to fight.”
Me: “They say to listen to your parents.”
Bram: “They also say to be kind.”
I go to him, smiling. We share the sweetest snuggle.
When Lou wakes up and stumbles in twenty minutes later, Bram looks up at him and says, “I got mama out of bed with the ten commandments.”

Morning 2:

I wake up to the feel of hard, cold metal hitting my head. It is Lou. He is hitting me over the head with the old-fashioned Winnie the Pooh alarm clock I bought for him. The irony of this is not immediately clear to me. As I rub my pounding head, he says sweetly, “Good morning, mama!”

Morning 3:

Bram calls from his room. “Mama!”
Me: “Yes, Bug?”
Bram: “Nothing. I just wanted to be sure of you.”
I go to him.

Morning 4:

Lou is laying behind me. He begins to trace his fingers up and down my back and side to side, in the shape of a cross. He says, “I am giving you a blessing.” Then he whispers, “The Universe Dances.”

Morning 5:

Bram comes in to my room in the early morning and crawls into bed.
After a minute, he asks: “Mama, when is your birthday?”
I say, “July 10th.”
He says, “Okay, what is your favorite animal?”
I think for a minute and say, “Maybe wolves? I like the way they are in community together.”
He says, “Okay. So for your birthday, I’m going to ask Pomo to help me buy you some wolf shorts. Black, fuzzy ones. Does that sound nice?”
“Yes, Bug. Fuzzy wolf shorts sound like the nicest.”

 

these boys

Today, like so many of us, I drove my big kid to school: in Bram’s case to his final year of Montessori preschool. He was nervous and reluctant, and also curious. He ran out the front door and kicked rocks around the driveway for awhile. He wanted to listen to Cloud Cult’s “Transistor Radio” on the way. He sang along, like always. I said, “That journey his grandpa sends him on? That’s like your journey, Bug.” I watched him gathering his nerve in the rearview mirror. I listened to him slow his breathing.

I’m writing this from a table in the coffee shop where I wrote a lot of my dissertation. Where we came after we lost E. Where we brought B the first time we left the house with him. That was a lifetime ago: two lifetimes, literally, for my kids. Not long ones, but of course we’d do well not to measure life by length.

At four-and-a-half, Bram is a firestorm of passion, focus, curiosity, and brave imagination. He is self-conscious about his physical abilities: nervous on playgrounds and critical of how he runs and bikes, as if someone has told him he isn’t good at those things (though to my knowledge no one has). He holds back nothing on the creative front, and is steady in his confidence in himself as an artist. If he asks you to describe some recent experience, to remind him of a detail from an encounter, it’s so he can go home and draw it. He’s a storyteller: he tells tales silently, with colored pencils, for hours; with Legos in deep concentration; in a loud, dizzying voice as he spins around the house. He is a careful and kind brother, son, grandson, and friend. He holds his fingers up in the shape of a square to tell me he loves me. I think he’d make eye contact for hours.

When I told him that some people think we are all of the figures from our dreams – so he’s not just the little kid who’s scared; he’s also the beast chasing the little kid – a smile stretched across his face for whole minutes. When I asked him if he wanted to finish a drawing he had started earlier in the day, he said, “I don’t want to, mama, I need to. An artist needs to finish what he starts.” He told me on a walk to the library last week – out of the blue, at an intersection – that he wants to be a baker, a construction worker, and a priest when he grows up. This would surprise no one who knows him.

At two-and-a-half, Lou is a wild and beautiful creature. His will is fierce and seems to come from somewhere profoundly deep within him. He is built mostly of courage and curiosity, and he’s like a cat: capable of immense and startling acts of love and loyalty, but on his terms. Once while working together with Play-Doh, he said – without even looking up – “I miss you when you’re at work, mama. I love you too now.” We just kept working. He has a head full of blonde curls, lashes that go on forever, and the last vestiges of the skinny bird arms and legs he had at birth. We still call him Birdie, and it still fits.

He is maddened by any suggestion of passivity: he wants to push the stroller, cook the food, wash dishes together, turn all the pages, get himself dressed, put on his own shoes, and fasten his own seat belt: “not you, not you!” If you look away for a second, he’ll sneak off to the snack drawer and situate himself on one of the benches at our dining room table with an absurd number of pretzels or graham crackers. If you call him from another room, he’ll run to you full force, shouting “My am coming!!” He is rarely cautious, though he avoids deep water and new people, and he constantly asks me to drive more slowly. Like his brother, he loves teases and inside jokes, and his eyes light up when he’s in on something. His favorite song right now is Josh Ritter’s “Cumberland.” It is entirely possible to imagine him living happily in the country. If you pretend to forget song lyrics and sing them wrong, he’ll say, every time and with endless delight in his voice: “not like THAT! Like this!” and sing them the right way. He’ll repeat this as many times as you’re willing. If he’s sad and you offer him a diversion, he’ll often say, “Okay. That would cheer me up.” If you’re sad, he’ll offer you pretend strawberries until you smile. Strawberries, every time. His favorite game is the Run-Hug, which his Pomo invented. It is exactly like it sounds.

This is a picture Bram came home and drew after meeting a girl he found magical. She is seven, and a dancer. Those marks are the colors he’s decided are good for making skin tones. He is always working on craft. Those are her hands folded in front of her body. She’s Native American and was wearing traditional clothing: those are feathers, moccasins, and bells at the bottom of her dress.

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This is classic Lou.

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This is a drawing Bram did of our church awhile back. Every time he sees it (hanging in my office), he says quietly to himself: “I need to do a new one.”

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These are tombstones the boys made when – as is his way – Lou killed a fly and – as is his way – Bram cried over its smashed body and made us bury it. Lou gave this task the cursory attention that he sensed his brother would require. Bram wrote this on his: “Dear God, did the fly have a good life? Was it sick or was it not? [Something illegible to me.] In your name we pray. Amen.”

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And this is a typical market Saturday: Bram with his best friend, Clara, sure of their little world together; his brother following behind: ever curious about B & C’s activities, but also absolutely on his own quest.

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an invitation to rest

This is something I wrote a few weeks ago for a blog I now keep for my work. I have other posts in mind for this space: an update on these not.still.tiny humans; a relatively honest account of marriage at ten years of togetherness and two preschool-aged kiddos; a little about the explosively gorgeous (for the human that is me) work of ministry; and an attempt at explaining why it is (though baffling, though maddening, though wildly impractical) impossible for me to give up on the idea of a third child. But this (below) is a thing we’re doing, and have been doing for a month now, and have already been pretty damn changed by. And so I share it with you.

Thanks, by the way, for your kind and robust welcome home. I think I’ve been unsure what to write here because I wasn’t sure what would be, to you, worth reading. What you said was: my voice. Our voices. That’s worth reading. I’m not sure there’s a kinder message than that.

And so, an invitation:

A thing that has been said to me is that I’m not great at relaxation. And it’s something that worries me because: I believe in rest. I’m not interested in more-is-more life, or parenting, or work. And I’m for sure not interested in busier-is-better spirituality. The people I most admire move more slowly than that. They make more space.

But I don’t move slowly. At least not on the surface. On the surface, I’m not great at relaxation.

I tried to greet this reality by imagining a way out of some of the work in which I engage. But the truth is, I engage in it because it feels worth doing. And I imagine that’s true for most of us. How I parent. How I labor. What I cook. The walks I like to take and the books I like to read. It’s all important to me. More important than the indulgence I’m supposed to want.

And yet I’m tired. Most of the time. Part of this is because I’m a parent of young children and – ask any of us – tired is a thing. I’m also lucky enough to have deeply fulfilling work, which has the gratifying if exhausting consequence of meaning I long to do more. I stay up late at night because doing more brings me joy. And so: tired.

But I’ve been offering space lately to this question: how might I meet my need for more rest without giving up any of the beloved endeavors to which I offer myself? Without ceding to the notion that I’d be somehow more whole if I binge watched Orange is the New Black instead of reading theology and listening to sermons once the kids go to bed.

And so I’ve turned to an old practice. Like, Genesis-old. Then-God-Rested-old. Sabbath. I’m far from alone in this return, of course, though what I see of this practice being practiced is scattered. And it is by all accounts countercultural in contemporary America.

To be clear: this isn’t a post that extols the virtues of a long-held practice of Sabbath-keeping, though plenty of those exist. It isn’t a summary of the scriptural origins of the practice, though consider reading those because there’s immense wisdom in what our desert mothers and fathers had to say on the subject. And it isn’t a deep-dive into the theology behind Sabbath-keeping, though Rabbi Abraham Joshua Heschel wrote a pretty gorgeous one of those, if you’d like to read alongside me. Instead, this is an invitation. Because like many of us, I work best in community. And because I’m guessing that lots of you wish you knew how to slow down too. I’m not alone in needing more rest, and I’m not alone in being unsure how to get it.

So (the Tiniest Little Bit) About Sabbath:

The Most Rev. Dr. Katharine Jefferts Schori (badass former presiding bishop for the whole Episcopal Church, thank you feminism in religion) teaches here that “Sabbath can be an opportunity to learn more deeply what God asks of each of us — loving our neighbors, each one made in God’s image, as we love ourselves.” And, I mean: I for sure need to work on that.

Jane Carol Redmont describes Sabbath keeping as “a regular weekly rhythm of rest, time for reconnecting with the sacred, festive meals with loved ones, the nurturing of community life, study of holy wisdom and sacred texts, attention to beauty and sensuality, honoring intimacy.” But Redmont also writes about how hard it is to get students even to experiment with the practice. I met with such resistance when I tried to get students to do media blackouts: to unplug for forty-eight hours. Lord have mercy; they found even the suggestion traumatic.

Rabbi Heschel writes what is, perhaps, my favorite recommendation. He says, “our goal should be to live life in radical amazement….to get up in the morning and look at the world in a way that takes nothing for granted. Everything is phenomenal; everything is incredible; never treat life casually. To be spiritual is to be amazed.”

And then there’s also this.

Sabbath-Keeping as Protest:

Author Stephen W. Smith writes that “when practiced, Sabbath-keeping is an active protest against a culture that is always on, always available and always looking for something else to do.”

Boom. Right? Fuck yes to that protest?

It was in talking this through with my wife that the reasons for our cultural resistance to true rest became clearer to me. We’re offered ways to buy rest: television, movies, dessert, alcohol, amusement parks, vacations, prepared food brought to our table. And don’t get me wrong: aside from amusement parks, I dig these things. But really, most of those forms of rest are stimulating, right? They might bring pleasure; they’re surely entertaining; and they offer a passive form of indulgence – maybe even luxury – that might pass for rest. But they aren’t likely to bring us stillness, a sense of enough, or gratitude for what is and not what can be made to be. They won’t make us aware of how amazing it is that our hearts are all beating.

Heschel writes: “People of our time are losing the power of celebration. Instead of celebrating we seek to be amused or entertained. Celebration is an active state, an act of expressing reverence or appreciation. To be entertained is a passive state–it is to receive pleasure afforded by an amusing act or a spectacle…. Celebration is a confrontation, giving attention to the transcendent meaning of one’s actions.” It seems to me that real rest is a form of celebration. And it doesn’t make anyone money. There’s nothing there to market to us, which is probably why we’re culturally discouraged from making space for it. There’s nothing to sell because rest, celebration, means we already have all that we need. Enough. It means more than enough.

Our First Sabbath:

So this week, for the first time, my family kept a sort of Sabbath, which consisted among more nuanced shifts of a commitment to abstain from all internet/media activities. From sundown Friday to sundown Saturday (because church work means I can’t keep Sabbath on Sundays), we put the devices away. We played music from neglected CDs on our old player in the kitchen (instead of our carefully curated playlists on Spotify). That first night, when the kids were sleeping and the chores were done and it was only 9:30pm, I settled in our old glider and read almost fifty pages of a novel in a dark house with no glowing screens. And then I prayed for longer. And then I slept.

The next morning, we went to the farmer’s market, and I didn’t take pictures of my kids’ faces when I said they could have the freshly fried donuts they smelled from the other side of the market. I didn’t take pictures when they saw red sunflowers or tasted the most perfect yellow tomatoes on earth. I was just there.

When we got home, I cooked lunch slowly, enjoying the sound of the boys playing outside, and the feel of my cool kitchen, and the indulgence of good food. We invited friends over spontaneously, and watched the kids get wet and muddy. I paid a little more mind to my breath, to my posture. I paid a little more mind to my wife. I worked (cooking, parenting, sweeping the floor), but more slowly, with intentionality and joy. I took pleasure even in washing dishes. I worried less about how long bedtime would take. There’s no evidence, but I think I smiled more.

I’m in, at least for the year. At least until next August, some version of this will be our lives from Fridays at sundown through Saturday nights. I’m already looking forward to next week. If you think you might join us, will you let me know? I’d love insight into what you’re reading, or how you’ve kept this spiritual practice in the past, or how your family practiced it growing up. I’d love to know how it works for you now. Even in this new, fumbling stage, I am grateful to be on this road, and I would be thrilled to have company.

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small deaths and resurrections

Maybe it’s my age.

Maybe it’s these small children and their unequaled talent for making every day (hour. moment.) a roller coaster. No better metaphor for the soaring, giddy love and the stomach-dropping worry (and none more haunting for me, lover of the ground).

Maybe it’s the narratives of Christ newly at work in my mind and my heart.

But whatever it is: all I see, everywhere around me, is life as a series of tiny deaths and resurrections.

Friendships that collapse under the weight of too-different lived realities and selfishness and small failures of heart and word, only to swell and rise again in surprisingly sweet ways.

Hopes for hard-earned dream jobs vanishing in a phone call and taking self-worth with them as they disappear. New – smaller, humbler – hopes rising in the bruised places that remain. Hopes that hurt to the touch, that make you wince, and yet.

Feeling like you must be doing something wrong raising your sons because: why are they so violent? Sword, stick, mean guys, hunters. From whence – in my quiet, simple, peaceful home – does this come, this obvious failure, this obvious failure of mine. And then a call. A book on its way. A setting down of old narratives (always) and an embracing of what is and must always have been: an attraction for power that I cannot feel but that I must make space for. That I must, even, love. And then I do, suddenly. Love.

The ebbflowebbflowebbflow of marriage. Marriage with young children. Marriage, which dies. Marriage which is miraculously reborn in a look or a letter or twenty minutes, finally, of eye contact and a shared blanket. Not a trip or a date or a romantic gesture, but a shared blanket and a little bit of truth. Marriage, which is sweeter than I could have guessed, not in spite of the deaths, but for them. Not less sweet, but sweeter, though also so much like a bruise. Like the place in my spine, my mid-back, that is always sore to the touch, but which I long to have touched.

Defeat. Triumph. They come hourly. They go. They stay, some of them, layering on top of one another until they form a mountain on which you stand, often feeling alone. A mountain from which the world just looks different. Not better or worse, but so different.

Another year in this humble gift of a house with the snow piled up outside and the sun shining. Shining today. More liminality, and another chance to learn to accept it as the only thing that won’t ever go. Dreams clung to. Dreams discarded. Dreams wrenched away. Dreams you never would have thought you’d dream rising into your heart and surprising your mind. Making you smile. Making it all new again. Scaring you again.

Boys that belly laugh and boys that hit and boys that cry and boys that kiss. Heartbreak and gratitude at turns. At once. The work of trying to notice. To just notice. To die and come back again and just notice.